Marie Lund

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1976  Born, Copenhagen

Lives and works in London

EDUCATION

1999-2002  BA – The Royal Danish Academy of Fine Arts, Schools of Architecture, Copenhagen

2002-2004  MA – Royal College of Art, London

 

SOLO EXHIBITIONS

2017

Holstebro Kunstmuseum, Denmark

2016

Scout, Jose Garcia, Mx, Merida, Mexico

2015

Flush, Badischer Kunstverein, Karlsruhe
Pit, Croy Nielsen, Berlin

2014

Dip, Laura Bartlett Gallery, London
Marie Lund: Statements, Art Basel, Laura Bartlett Gallery
Drums, Museo Marino Marini, Florence

2013

Back Pack, Proyectos Monclova, Mexico City, Mexico
Handstand, IMO projects, Copenhagen

2012

Clickety Click, Croy Nielsen, Berlin
End On, Christian Andersen Gallery, Copenhagen

2011

Two Ways to Fall, Proyectos Monclova, Mexico City
Turtles, Laura Bartlett Gallery, London

2010 – with Nina Beier

The Object Lessons, curated by Christophe Gallois, Mudam, Luxembourg
The Testimony, curated by Laura Fried, Contemporary Art Museum St. Louis, St Louis

2009 – with Nina Beier

The Object Lessons, curated by Lorenzo Benedetti, De Vleeshal, Middelburg
The Testimony, Les Sabots, The Making of Difference, The Complete Works curated by Ilaria Gianni and Cecilia Canziani, Nomas Foundation, Rome
Permanent Collection, Croy Nielsen, Berlin
Loss and Cause, Proyectos Monclova, Mexico City

2008– with Nina Beier

Nina Beier and Marie Lund, Limoncello, London, as part of In-Betweens by The Hut Project
Two Women, Laura Bartlett Gallery, London
All The Best, co-curated with Vincent Honoré for the David Roberts Foundation, Gallery one one one, London
A Circular Play, curated by Ursula Schondeling, Braunschweig Kunstverein, Braunschweig, Germany
A Circular Play (A Play in Circles), curated by Mami Kataoka, Wako Works of Art, Tokyo

2007 – with Nina Beier

Dance Like I Do, curated Thorsten Sadowsky, Århus Kunstbygning, Center for Contemporary Art, Aarhus
Dance Like I Do, curated by Henriette Bretton Meyer, Overgaden Institute of Contemporary Art, Copenhagen

GROUP EXHIBITIONS (SELECTED)

 

2017

Sous le regard de machines pleines d’amour et de grâce, Curated by Yoann Gourmel, Palais de Tokyo

2016

Behind the Curtain, Kunstpalast Düsseldorf, Curated by Beat Wismer
Acquisitions Récentes, Frac Franche-Comté, France
La Camera – Sulla Materialità della Fotografia, Palazzo de Toschi, Bologna
The Lasting, Curated by Saretto Cincinelli, GNAM, National Gallery of Modern Art, Rome

2015

wow! Woven? Entering the (sub) Textiles, KM, Graz
Welcome You’re in The Right Place
, Airbnb-Pavillon, Fondazione Sandretto Re Rebaudengo, Turin
One Hour Long Exhibition,
South London Gallery, London
The Camera’s Blind Spot II, 
Extra City Kunsthal, Antwerp
Dealing with Surfaces,
GAK, Gessellschaft fuer Aktuelle Kunst Bremen, Bremen
L’usage des formes: Artisans d’art et artistes
, Palais de Tokyo, Paris

2014

A Picture is No Substitute, curated by Ellen Greig, Seventeen Gallery, London
Living in The Material World,
Galerie im Taxispalais, Innsbruck
One Hour Long Exhibition, Chasil Kil and Marie Lund,
curated by Samuso, Artonje Center, Seoul
The Roof Holding the Walls Together, Le Nouveau Festival du Centre Pompidou, 5th edition, Centre Pompidou, Paris
Living in The Material World, Museum Krefeld, Krefeld

2013

MOTOR: Bettina Buck invites Marie Lund, Spacex, Exeter
AB,
a Project by Gabriele De Santis, NOMAS Foundation, Rome
The Made-up Shrimp Hardly Enlightens Some Double Kisses,
Laurel Gitlen, New York
I Salute the Potter’s Clay, curated by Eve Smith and Gemma Lloyd, Galeria Czarna, Warsaw
Two person show with Benjamin Hirte, curated by Olivian Chan, Worksited, Central Library of LAPL, Los Angeles
When Attitudes Became Form Become Attitudes, cur. by Jens Hoffmann, Museum of Contemporary Art Detroit, Detroit
Ground. Materiality #2 (earth), curated by Brigitte Kirkhoff, Sorø Kunstmuseum, Denmark
Cast Recording, curated by Liv Barrett, Prism, Los Angeles
It’s Over There, Simone Subal Gallery, New York
(One hour) long exhibition, with Chosil Kil and Francesco Pedraglio, New York Gallery, New York
Can’t Hear My Eyes, curated by Niekolaas Johannes Lekkerkerk, Nogueras Blanchard, Madrid                                   

2012
When Attitudes Became Form Become Attitudes, curated by Jens Hoffmann, CCA Wattis, San Francisco
House of Leaves, curated by Vincent Honore, David Roberts Art Foundation, London
From Stavanger with Love, curated by Chris Sharp, Galeri Opdahl, Stavanger, Norway
Two Leaves (Four Pages), curated by Trine Friis Sørensen, Malttorvet 2, Copenhagen
Group show, curated by Rose Lejeune, A.P.T Gallery, London
Beyond Words, GAK Gesellschaft für Aktuelle Kunst, Bremen
Formes Brèves, Autres, 25, curated by Anja Isabel Schneider, Frac Lorraine April, MARCO, Vigo, Spain
A wavy line is drawn across the middle of the original plans, curated by Søren Grammel, Koelnischer Kunstverein, Cologne
L’Entre-deux: des savoirs bouleversés (4 études: Aurelien Froment, Marie Lund, Melvin Moti, Benjamin Seror, Formes, récits, musées), curated by Vincent Honore, Kunsthalle Mulhouse, Mulhouse
Who Am I? What Am I Doing Here??, Shanaynay, Paris

2011

Under Destruction I, curated by Chris Sharp and Gianni Jetzer, The Swiss Institute, New York
(One hour) long exhibition – with Chosil Kil and Tr Kirstein & Johns Lunds, Supplement Gallery, London
No Day without a Temperament, curated by Benjamin Hirte, Galerie Emanuel Layr, Vienna
Les Statues Meurent Aussi, Galleria Suzy Shammah, Milan
The Event, curated by Beti Žerovc, The 29th Biennial of Graphic Arts, Ljubljana
Young London, V22, London
Somiglianze Non Sensibili, curated by Cecilia Canziani, Galleri Opdahl, Berlin
Inaguration show, Croy Nielsen, Berlin
Paysages avec Objets Absents, curated by Corinne Charpentier, Kunsthalle Freiburg, Freiburg
Bob Dylan, Bob Dylan, Boba Dylana (3 person show with Jiri Kovanda and Nina Beier), curated by Edith Jerabkova, DOX, Prague

2010

Best Laid Plans, curated by Cylena Simmonds, Drawing Room, London
Best Laid Plans, curated by Cylena Simmonds, Tate Modern, London
Somiglianze Non Sensibili, curated by Cecilia Canziani, Galleri Opdahl, Stavanger, Norway
Frieze Sculpture Park, curated by David Thorp, St James’s Park, London
Could We Also Be Temporarily, curated by Nathanja van Dijk, 21rozendaal Centre for Contemporary Art, Netherlands
Tumult, curated by Christian Skovbjerg, Public art festival, Lolland Falster, Denmark
Under Destruction, curated by Chris Sharp and Gianni Jetzer, Museum Tinguely, Basel
Der ideale Ort, curated by Stefanie Böttcher, Künstlerhaus Bremen, Germany
End Note, curated by Robert Okuda Fitzpatrick and Tanya Leighton, Tanya Leighton Gallery, Berlin
Nomad-ness, Frac Pays de la Loire
À l’ombre d’un Doute, Frac Lorraine
Among the Nightingales, curated by Clarissa Corf, Tatton Park Biennial, London
A Never Ending Story, Copenhagen
We Have as Much Time as it Takes,  curated by the Curatorial Practice Class of CCA, CCA Wattis Institute for Contemporary Arts, San Francisco
History of Art, curated by Mihnea Mircan, The DRAF, London
Book Show, curated by James Langdon and Gavin Wade, Eastside Projects, Birmingham
In Which the Wind is Also a Protagonist, curated by Chris Sharp, La Generale, Sevres
Collection 02, De Vleeshal Kabinetten, Middelburg
A Very Very Long Cat, Wallspace, New York
Gestures, curated by Sanne Kofod Olsen, The Museum of Contemporary Art, Roskilde
Gallery, Gallerie, Galleria, curated by Adam Carr, Norma Mangoine Gallery, Turin
Performative Strategies, curated by Alexandra Blättler, Kunsthaus Glarus, Switzerland

2009

Suns Neither Rise Nor Set, Hockney Gallery, Royal College of Art, London
Momentum: Nordic Biennial, Moss, Norway
Sniper, curated by Thomas Kratz, Galerie Biedermann, Munich, Germany
Collective Spirits, curated by Johanne Løgstrup, Four Boxes Gallery, Krabbesholm, Denmark
A Sensed Perturbation, Murray Guy, New York
We Would Like To Thank (Again) The Curators Who Wish To Remain Anonymous, Anne Barrault, Paris
The Announcement, curated by Isla Leaver-Yap, ICA, London
Audio, Video, Disco, curated by David Bussel, Kunsthalle Zürich, Switzerland
Getting Even – Oppositions and Dialogues, curated by Matt Packer, Lewis Glucksman Gallery, Cork, Kunstverein Hannover, Germany
Don’t Expect Anything, Francesca Minini, Milan, Italy
Berlin-Paris, curated by Croy Nielsen, GB Agency, Paris
Fragile Currency, ccurated by Ilaria Gianni, Klemm’s Gallery, Berlin
La Notte, curated by Lorenzo Benedetti, Kunsthalle Mulhouse, Mulhouse, France
Reduction & Suspense, curated by Eva Kraus and Tilo Schultz, Kunstverein Bregenz, Bregenz, Austria
Chapter three: The Wall of the Sky, The Wall of the Eye, curated by Christiane Rekade, About Change Collection, Berlin

2008

What is my name, curated by Lorenzo Bruni, Hisk, Gent
Insolubles Solides, curated by Cyril Dietrich, Betonsalon, Paris,
Oh, A Show, curated by Annette Amberg, Showroom Platform, Basel, Switzerland
Behind, curated by Ilaria Gianni, Monitor Gallery, Rome
Nought To Sixty, Institute of Contemporary Art, London
Nordic Art and Experimental Film, Malmo Konsthall, film programme curated by Johanna Billing, Malmö, Sweden
Playtime, curated by Melanie Bouteloup and Gregory Castera, Betonsalon, Paris,
I have nothing to say and I am saying it, Contemporary Art Festival curated by Sunjung Kim Platform Seoul, Seoul
Weisses Laecheln, Croy Nielsen, Berlin, Germany
Good Fences, (double show with Chosil Kil), Galleri Opdahl, Stavanger, Norway
U-Turn, Quadrennial in Copenhagen, Denmark
Eurasia, MART Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Italy
Notes Concernant les Objets qui sont sur la Table de la Cuisine, guest in show by Sean Edwards, Super, Paris
Past Forward, 176 Gallery, London
Participation, Galerie Martin Janda, Vienna, Austria
When I Was A Little Boy…, Klatovy, guest in solo show by Jiri Kovanda
Laughing In A Foreign Language, curated by Mami Kataoka, Hayward Gallery, London
The Self-To-Other Ratio, TWS, Tokyo
The Unfair Fair, curated by Vincent Honoré and Cecilia Canziani, Rome
This Way (Danish Contemporary Photography), Brandts Museum for Photography, Odense, works from the National Danish Photography Museum Collection
From a Distance, curated by Vincent Honore, Wallspace, New York
Video Sequence 3’, la Maison des Arts de Malakoff, France

2007

Actions & Interruptions, curated by Catherine Wood, Tate Modern, London
The Difference Between Humans & Walls and The Division, curated by Heidi Reitmaier, Tate Britain, London
Collectivity, curated by Joseph del Pesco, Yerba Buena Center for the Arts, San Francisco
Abstract Things, curated by Harrell Fletcher, Laura Bartlett Gallery, London
This is A Gettogether, curated by Dunja Kukovec and Josephine Michau, Skuc Gallery, Ljubljana

 

CATALOGUES

2014

Drums, Artist Book, text by Pieternel Vermoortel, MIDI/Mousse Publishing

2013

Ground. Materiality #2 (earth), exhibition catalogue, Sorø Kunstmuseum, Sorø, Denmark
Cahier 1, published on the occasion of the exhibition Can’t Hear My Eyes, Nogueras Blanchard. Barcelona, Spain

2012

The Object Lessons by Francesco Pedraglio, published by DeVleeshal and MUDAM on the occassion of Beyond Words GAK, June

2011

Under Destruction, Museum Tinguely, Basel and the Swiss Institute, NYC
Turtles, Mousse Publishing, Milan
History of Art, The, DRAF, London
We Have as Much Time as it Takes, CCA Wattis Institute for Contemporary Arts, San Francisco
Bob Dylan, Bob Dylan, Boba Dylana, Dox, Prague

2010

Tumult, Denmark
Best Laid Plans, Drawing Room, London
Gallery, Galerie, Galleria, Norma Mangione Gallery, Italy

2009

Momentum Nordic Biennial 2009, Norway
The Points #02, Croy Nielsen, Berlin, Germany
The Points #01, Proyectos Monclova, Mexico City, Mexico
Nought to Sixty, ICA, London, UK
Platform Seoul, Artsonje, Korea

2008

Eurasia, MART Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Italy
ABC, Berlin, Germany, with Croy Nielsen
A Circular Play, Wako Works of Art, Tokyo, Japan
Past Forward, 176 Project Space, London, UK
U-Turn, Denmark
Laughing in a Foreign Language, Hayward, England
Nina Jan Beier and Marie Jan Lund, Readymade, Asia

2007

This Way, Brandts Museum for Fotokunst, Denmark
Ny Dansk Kunst 2007, Kopenhagen, Denmark
This is not Fiction, by Christian Skovbjerg Jensen Copenhagen, Denmark
Actions & Interruptions’, Tate Modern, London

 

SELECTED PRESS

2015

Jurriaan Benschop, Marie Lund: Badischer Kunstverein, Artforum, May

2014

Paul Pieroni, Marie Lund, Dip, Art Review, p.124, December
Ivan Knapp, Marie Lund, Dip, Aesthetica Blog, December
Gabrielle Schwarz, Marie Lund: Dip, this is tomorrow, December
Michael Hampton, Artists’s Books: Sarah Jacobs: After Nature: Highlights / Marie Lund: Drums, Art Monthly, July-August, No. 378
Marie Lund / Drums, interview with Cecilia Canziani and Trine Friis Sørensen, ArtTextsPics, www.atpdiary.com, April

2013

Interview With Marie Lund, Ground, Materiality #2 (Earth), Exh. Cat. Sorø Kunstmuseum, Sorø, Denmark, Spring
Kirsty Bell, Marie Lund, review, frieze, issue 152, January /February, p. 172
Marie Lund in Conversation with Romain Chenais, Annual Magazine, Issue 5, September
Can’t Hear my Eyes, at Nogueras Blanchard, Barcelona – Madrid, Mousse Online, 18th September

2012

Marie Lund, Clickety Click, mousse magazine, 3 October
Cecilia Canziani, Marie Lund, Spotlight, cura. Magazine, No. 12, Fall 2012

2011

Kari Rittenbach, Marie Lund, Frieze, review, November

2010

Coline Milliard, Immaterial Girls, feature/interview, Modern Painters, October
Mihnea Mircan, Palpable Distance, feature, Mousse, November

2009

Anna Holm & Torben Zenth, Marie Lund, interview, Kopenhagen, September
Jiri Kovanda Selection, Spike Art Magazine, October
Permanent Collection, review, Artforum, June
Vincent Honore, Nina Beier and Marie Lund, interview, Petunia, France, Summer
Nina Beier & Marie Lund, interview, Artworld, July

2008

Alli Beddoes, Follow the Instructions, Mousse, November
Nina Beier and Marie Lund – Performance Art, feature, Fotograf, Prague, November
Isabelle Alfonsi, Nina Beier & Marie Lund Chez Laura Bartlett, Zero Deux, Paris, November
Preview, Art World, London, October
Focus London, Flash Art, Italy October
The Glue and the Wedge – Conversation with Beier and Lund, Arte e Critica, Italy, March
Nina Beier and Marie Lund, So-en, Japan, March
Nina Beier and Marie Lund, NO, Norway, February

2007

Catherine Wood, 2007, Artforum, December
Melanie Gilligan, Performance and its appropriations, Artforum, June